Index in place
Names, paths, tags and technical metadata.
SONICINDEX / PRIVATE ALPHA
Tame the sample hoard. Turn years of kicks, breaks, basses, voices and beautiful weirdness into a collection you can actually see, hear and play.
Windows desktop · In development · Public availability to come
ways to describe a soundNumeric criteria + additional structured evidence
views of the same collectionFrom color mosaics to harmonic wheels
workspaces, one creative flowExplore · Build · Perform · Organize · DJ Crate
October 6 snapshots from the owner’s sample and music profiles. These are separate collections, not a capacity limit or speed benchmark.
LESS FILE MANAGEMENT. MORE “THAT’S THE ONE.”
That perfect low-end thump. A break with the right kind of chaos. A pad that blooms after the click. SonicIndex looks beyond filenames to the shape, texture, motion and musical clues inside your collection. Your originals stay where they are during analysis.
A SMALL TASTE OF A BIG LIBRARY
Follow a short scan example, change the view, zoom into a neighborhood and keep a few discoveries. The featured sounds were handpicked from the developer’s real collection to work together.
Years of collected audio. Nested packs. More sounds than you can remember. Start with the index, then choose how deeply to listen.
Names, paths, tags and technical metadata.
157 Standard criteria. No AI pack required.
143 optional Deep criteria + supported local models.
A compressed illustration of the stages, not a live scan or speed benchmark.
Start with a rhythmic layer. Find a solid kick, a low-end anchor and an atmospheric counterweight. Musical labels are clues; your ears make the decision.
A coherent starting palette, not a random shuffle.
In SonicIndex, a queue carries discoveries into comparison, a kit, slices or an audio-pack handoff.
Map positions, background tiles and scan timing are illustrative. Featured filenames and saved measurements come from the development library; missing evidence stays unknown. This is a guided web preview, not the SonicIndex application.
A COMPLETELY REWORKED INTERFACE
Five focused workspaces put the tools for the moment up front. Explore samples, build a kit, perform slices, maintain your library or catalog your song collection in DJ Crate.
EXPLORE SAMPLES
Search the Library, explore the Sound map and audition a promising neighborhood. Compare measured qualities or references, then keep the discoveries in your Audition Queue.
New October 6 screenshots are actual Windows captures of the owner’s scanned collection, taken after the views finished loading. All seven map views contain 93,010 records; gray shelves retain unknown evidence. The fresh drum-kit layout is an actual empty kit; the earlier assigned-kit example uses illustrative assignments. The earlier Slice Lab image shows a real single-file import. Click any capture to enlarge it.
BUILD A DRUM KIT / YOUR PLAYABLE LAYOUT
Give your sounds a place to play. Arrange physical drums, cymbals and pads, assign samples to head and rim zones, then shape how the kit responds to your playing.
Add and name pieces, choose single or dual zones, and drag or resize individual pieces or groups. Head and rim zones stay together. The ControlPad adds eight pads and four external inputs.
Assign MIDI notes and learn supported input. Build up to eight layers per zone, refine velocity response and alternates, and set choke behavior for cymbals and hats.
Fill open slots from saved analysis or choose sounds yourself. Save named kits and export copied audio with an MPC map and import plan. Configure and check playback on your hardware.
Start with the layout, then assign and layer your sounds.
DJ CRATE / YOUR SONG COLLECTION
Sample discovery now has a music companion. DJ Crate reads the tags already in your songs and builds a searchable catalog before you run acoustic analysis. Browse an album, find an artist or search a lyric phrase, then compare songs and passages.
Read artist, album artist, title, album, track and disc numbers, date and genre, alongside artwork and audio encoding details. Inspect the original embedded fields, including custom tags, instead of losing them behind a simplified label.
Search artist, album, title or stored lyrics. Switch between artists, albums, folders, local playlists and saved crates. Lyric matches can be searchable before they are timed; aligned occurrences support bounded passage previews.
Optional MusicBrainz and LRCLIB lookups offer metadata and lyric candidates for review. Choose fields and accept them into the catalog. Writing reviewed artist, album artist, title, album or plain lyrics back to a file is a separate action.
Audition a song, add it to passage comparison, save a crate or open an indexed source in Slice Lab. Queue only the enrichment or audio work you need.
Embedded tags and local companion files supply the catalog. MediaMonkey database-only values are not imported. Online proposals require a lookup; ordinary catalog browsing and audio analysis stay local. Synced lyrics and recording IDs can be accepted into the catalog; file write-back currently covers the reviewed text fields listed above.
300 MEASUREMENTS. A FEW SUPERPOWERS.
You don’t need to think in 300 parameters. Start with a creative question. A handful of useful measurements opens the door; the full catalog is there when curiosity takes over.
Fast attack gives a hit its immediate edge. Low-frequency energy gives it a foundation. Tail length helps you choose how much space it leaves for the next sound.
Illustrative fingerprint · Not a measurement of a specific sample
Peek inside every numeric criterion, from envelope and spectrum to vibrato and stereo motion.
157 Standard + 143 optional Deep = 300 numeric criteria. These are filterable, sortable, plottable measurements, alongside vectors, events and trajectories. They are not 300 independent AI detectors, and not every sound supports every measurement.
One sound can be strings + plucked + ringing. Catalog labels span source/content, audible action, form over time and possible use, with filename or supported model/interval provenance. Possible-use suggestions currently rely on names.
THE SEARCH IS ONLY THE BEGINNING
Find the useful relationships. Keep the ones you hear. Then do something with them.
Use several wanted and avoided sounds. Weight the aspects that matter: the envelope of one, the tone of another. Save your explicit taste preferences for later searches.
A better starting point than a filenameA separate optional recording scan saves windowed evidence and timestamps. Search a description or reference passage, then audition the interval instead of scrubbing the entire file.
Whole recordings, bounded passage previewsBuild physical kit pieces and zones, layer samples, review velocity-family candidates and calibrate MIDI velocity. Keep manual choices in charge of the instrument.
Editable layers, zones and choke groupsDrop one audio file into a permanent library copy, detect slices and play the pads. Shape partitions, patterns, scenes and arrangements; render audio or prepare a project handoff.
Up to 128 slices in a performanceAudition → Compare → Curate → Build or slice → Export copied audio with maps, manifests and import plans.
Native MPC projects/programs and Ableton sets/racks are not generated.BUILT FOR THE COLLECTION YOU ALREADY OWN
Your audio stays local during analysis. Indexed search and paged browsing keep the normal Library bounded; the Sound map progressively reads compact metadata for all matching samples. Optional models add evidence when you need it.
Search names, paths, tags and musical hints. Then measure the sound. Indexing and acoustic analysis are separate steps, so useful browsing can start before every optional scan finishes.
Independent scan cards, durable Deep and recording queues, status, estimates and live resource graphs make long jobs visible. Review actual failures and keep compatible completed evidence.
Portable libraries carry verified completed analysis on the sample drive. Reconnect at the new sample root after a drive-letter change rather than starting every compatible scan again.
Approve packs for collision-safe extraction and targeted analysis. Archive holding records support restore, while musical material and support assets are protected during optional housekeeping.
Audio/text and audio/audio resemblance. Describe a texture or start with a reference; scores are not calibrated probabilities.
Note-event and conservative chord evidence in a bounded transcription. Ambiguous and heavily processed audio still needs your ear.
Broad event classes and approximate intervals through the recording scan. Supported events can feed catalog labels.
A separate music-trained representation for loops and pitched material. Compatible model identity matters; pinned weights have noncommercial terms.
Experimental source estimates from a short mixture excerpt. Derived audio can have artifacts and never replaces the original.
Compatible packs are optional and set up separately. Downloads are needed for initial model setup; analysis runs locally afterward. Scanning stores evidence, while model weights stay static. Explicit taste memory is separate from model training.
ON THE BENCH / OCTOBER 2026
This showcase reflects the October 6 development interface, native collection captures and current source. SonicIndex remains a private Windows alpha; this is newer than the previously packaged v0.2.2 build.
Talk SonicIndexFive workspaces, seven maps, searchable measurements, reference discovery, kits, slices, portable catalogs, reviewed archive intake and DJ Crate’s searchable music metadata.
Musical-context matches, whole-kit proposals, detailed articulation suggestions and specialist comparisons still need independent listening and hardware acceptance.
No public installer or source repository is offered here. A release date has not been announced.